Introduction

Photography is, arguably, the most significant invention of the nineteenth century. Try to imagine a world without photographs. Today, photography is such a part of all our lives that we take it for granted. We are surrounded by photographic images - in newspapers and magazines, on cinema and television screens, in our homes, at work and on the streets. Since the public announcement of its invention 1839, photography has been both a window and a mirror; revealing and reflecting our lives, shaping our vision of the world and of worlds beyond our vision. Photography challenges time and space - capturing the present and preserving the past. It can even make the invisible visible – revealing what is too fast, too distant or too small for the naked eye to see. A photograph can be many things - family memory or work of art, scientific record or piece of evidence, useful tool or historical document. Photography’s many and diverse roles became evident within a remarkably short time of its invention. The enormous potential of the new medium was soon understood and its many applications realised or, at least, identified.

 

A Panoramic photograph of cairo taken by the lumiere brothers, around 1900 with a Periphote camera
The Photographic Technology collection comprises examples of the development of the camera from.
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The daguerreotype was one of the first photographic processes introduced in 1839. While only lasting until about 1855, when less costly processes replaced it, the daguerreotype produced some of the most beautiful early photographic images.
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Pre-Cinema is a term that refers to those devices that lead up to the invention of motion pictures and the cinema.
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This broad category includes all the images in the collection that are printed on paper. Most of the 19th century photographs are albumen prints which are made using egg whites (albumen) and are brown or sepia in colour.
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